{"id":5304,"date":"2019-04-11T08:25:59","date_gmt":"2019-04-11T12:25:59","guid":{"rendered":"https:\/\/montrealtips.com\/?p=5304"},"modified":"2019-04-11T08:25:59","modified_gmt":"2019-04-11T12:25:59","slug":"convergence-arts-neuroscience-and-society-a-thrilling-artscie-double-exhibition","status":"publish","type":"post","link":"https:\/\/montrealtips.com\/fr\/2019\/04\/11\/convergence-arts-neuroscience-and-society-a-thrilling-artscie-double-exhibition\/","title":{"rendered":"Convergence : Arts, Neuroscience et Soci\u00e9t\u00e9, une double exposition Artscie passionnante !"},"content":{"rendered":"

Convergence : Arts, Neuroscience et Soci\u00e9t\u00e9, une double exposition Artscie passionnante !<\/b><\/p>\n

 <\/p>\n

Ce vendredi aura lieu le premier de deux vernissages inter-intra-transdisciplinaires \u00e0 l'Universit\u00e9 de Toronto. <\/span>Galerie visuelle de la voix<\/span><\/a> \u00c0 17 h. Du 12 au 27 avril, les \u00e9tudiants du cours DART 498 : Art + Neuroscience + Culture, dispens\u00e9 \u00e0 l'Universit\u00e9 Concordia, exposeront leurs \u0153uvres collaboratives dans deux lieux : la galerie Visual Voice, situ\u00e9e dans le c\u00e9l\u00e8bre \u00e9difice Belgo (qui, selon Wikip\u00e9dia, abrite le plus grand nombre de galeries d'art contemporain au Canada), et l'espace Black Box de l'Universit\u00e9 Concordia.<\/span><\/p>\n

Le cours DART est un cours interdisciplinaire qui invite les \u00e9tudiants \u00e0 explorer de mani\u00e8re cr\u00e9ative l'intersection des arts, des neurosciences et de la soci\u00e9t\u00e9, et la fa\u00e7on dont ces domaines fa\u00e7onnent notre compr\u00e9hension de nous-m\u00eames et des autres. Les \u00e9tudiants en beaux-arts de Concordia collaborent avec le programme de r\u00e9paration c\u00e9r\u00e9brale et de neurosciences int\u00e9gratives (BRaIN) de l'IR-CUSM et les \u00e9tudiants en neurosciences de McGill. <\/span>Convergence, Perceptions de l'initiative en neurosciences<\/span><\/a> cr\u00e9er des projets collaboratifs et autonomes qui font converger la recherche artistique et scientifique.<\/span><\/p>\n

Ce cours combine conf\u00e9rences, d\u00e9bats, visites de sites et travail personnel afin d'encourager tous les participants \u00e0 explorer des territoires artistiques ou scientifiques inhabituels. Il se d\u00e9roule sur deux semestres. Au premier semestre, les artistes r\u00e9alisent une \u0153uvre artistique inspir\u00e9e par l'un des cours de neurosciences. Au second semestre, les \u00e9tudiants en neurosciences partagent leurs recherches afin d'inspirer les \u00e9tudiants en art. Ainsi, artistes et neuroscientifiques collaborent \u00e9troitement pour cr\u00e9er une \u0153uvre o\u00f9 se concr\u00e9tisent de v\u00e9ritables convergences.<\/span><\/p>\n

\u201c Notre objectif principal est de cr\u00e9er un lien, une convergence, entre diff\u00e9rents secteurs de la soci\u00e9t\u00e9 afin de rendre la recherche en neurosciences plus accessible au public et de donner \u00e0 nos \u00e9tudiants l'opportunit\u00e9 de communiquer leurs recherches, d'apprendre et d'acqu\u00e9rir une perspective \u00e9largie gr\u00e2ce \u00e0 des artistes hautement qualifi\u00e9s ainsi qu'au public. \u201d<\/span><\/i><\/p>\n

www.convergenceinitiative.org<\/span><\/a><\/p>\n

 <\/p>\n

L'un des projets que nous souhaitons tout particuli\u00e8rement mettre en avant dans cet article est <\/span>Auto-\u00e9coulement<\/span><\/i>, une s\u00e9rie de peintures en cours repr\u00e9sentant des vaisseaux sanguins avec de l'encre de sang v\u00e9ritable* de l'artiste Lily Jim\u00e9nez-Dabdoub.<\/span><\/p>\n

*Le sang a \u00e9t\u00e9 pr\u00e9lev\u00e9 dans un environnement s\u00e9curis\u00e9 par des professionnels de la sant\u00e9 \u2014 le Dr Fernanda et l'infirmier Freddy J\u00e1uregui \u2014 que les artistes remercient. <\/span>Ils encouragent \u00e9galement les personnes en difficult\u00e9 \u00e0 faire appel \u00e0 des services de consultation professionnels.<\/b><\/p>\n

 <\/p>\n

Self-Flow sensibilise le spectateur et le met en contact avec la sant\u00e9 mentale, le confrontant ainsi aux pr\u00e9jug\u00e9s existants.<\/span> Auto-\u00e9coulement<\/span><\/i> Il s'agit d'une s\u00e9rie de quatre caissons lumineux compos\u00e9s de trois couches de papiers organiques (bambou, soie et chanvre) sur lesquels Lily a transpos\u00e9 des images de micrographies en fond clair de vaisseaux sanguins c\u00e9r\u00e9braux humains (r\u00e9v\u00e9l\u00e9es par immunomarquage CD31), r\u00e9alis\u00e9es par Liam. Ces images ont ensuite \u00e9t\u00e9 transpos\u00e9es en traits de pinceau Sumi-e. Les dessins de contours de Liam ont ensuite \u00e9t\u00e9 grav\u00e9s dans le verre. Le confinement de cette \u0153uvre symbolise les \u00e9motions refoul\u00e9es que vivent les personnes souffrant de troubles mentaux en raison de la stigmatisation sociale. L'\u00e9clairage des images vise \u00e0 exprimer ces \u00e9motions. <\/span><\/p>\n

Auto-\u00e9coulement<\/span><\/i> Elle r\u00e9v\u00e8le un \u00e9tat de paix et de cr\u00e9ativit\u00e9 intense. Le sang humain*, utilis\u00e9 comme encre, convient parfaitement aux deux cr\u00e9ateurs qui souhaitaient en retranscrire l'intensit\u00e9 \u00e9motionnelle et le dynamisme. La couleur du sang, qui se d\u00e9grade, pr\u00e9sente une similitude avec la teinte de la 3,3\u2032-diaminobenzidine (DAB) visible sur les micrographies de Liam et avec l'exp\u00e9rience personnelle de Lily face \u00e0 la d\u00e9pression et \u00e0 l'anxi\u00e9t\u00e9. <\/span><\/p>\n

Enfin, pour mentionner toutes les \u0153uvres que vous trouverez dans cette exposition passionnante\u00a0:<\/span><\/p>\n

ADN urbain<\/b><\/p>\n

Par Deirdre Hatton (\u00e9tudiante en neurosciences) et Laura Rosero (artiste). Une \u0153uvre exp\u00e9rimentale impliquant des volontaires et le paysage urbain. Le projet Urban DNA vise \u00e0 \u00e9tudier l'influence de certaines mutations g\u00e9n\u00e9tiques sur notre fa\u00e7on de nous d\u00e9placer en ville.<\/span><\/p>\n

 <\/p>\n

Le vol de biscuits <\/b><\/p>\n

par Marielle McCrum (orthophoniste) et Rochelle Panganiban (artiste). S'appuyant sur un outil d'\u00e9valuation du langage courant, <\/span>Le vol de cookies : \u00e9tudes de cas<\/span><\/i> Le logiciel utilise des r\u00e9ponses fictives \u00e0 l'image test et les repr\u00e9sente visuellement. Chaque script correspond \u00e0 diff\u00e9rents types et degr\u00e9s de gravit\u00e9 de troubles de la communication pouvant survenir \u00e0 la suite d'un \u00e9v\u00e9nement neurologique tel qu'un AVC. <\/span><\/p>\n

 <\/p>\n

La SEP et l'invisible <\/b><\/p>\n

Par Elena Lin (\u00e9tudiante en neurosciences) et Maria Mathioudakis (artiste). La scl\u00e9rose en plaques est une maladie invalidante, souvent non contagieuse, qui s'attaque au syst\u00e8me nerveux central. Son \u00e9tiologie reste mal comprise et les m\u00e9canismes biologiques sous-jacents sont complexes. On note notamment le r\u00f4le des cellules immunitaires qui interagissent avec le syst\u00e8me nerveux et l'impact profond qu'elles peuvent avoir sur l'exacerbation ou l'att\u00e9nuation des sympt\u00f4mes ressentis par les patients. Les artistes se sont inspir\u00e9es des contours des cellules en mouvement, observ\u00e9s au microscope\u00a0: les ondes qu'elles produisent et leurs ondulations intentionnelles dans l'espace. \u00c0 l'aide du fil de fer, Mathioudakis et Lin saisissent non seulement les particularit\u00e9s de la morphologie cellulaire, mais aussi l'interaction entre le visible (la solidit\u00e9 du mat\u00e9riau) et l'invisible (l'espace n\u00e9gatif encadr\u00e9 et les ombres projet\u00e9es). L'\u0153uvre explore simultan\u00e9ment les concepts d'interactions intercellulaires dans le monde microscopique et la ph\u00e9nom\u00e9nologie macroscopique des exp\u00e9riences des patients, mettant ainsi en lumi\u00e8re la douleur endur\u00e9e par les personnes atteintes de scl\u00e9rose en plaques.<\/span><\/p>\n

\"Art<\/a><\/p>\n

Synapsense <\/b><\/p>\n

par Raina Fan et Erin McKenzie Wall (\u00e9tudiantes en neurosciences), Maya Moussall et Alice Perichon (artistes) <\/span><\/p>\n

 <\/p>\n

Toutes ces \u0153uvres font partie de <\/span>Galerie visuelle de la voix <\/b>exposition de <\/span>Du 12 au 27 avril 2019<\/b><\/p>\n

 <\/p>\n

Vernissage :<\/b> 12 avril 2019, 17h00 \u2013 19h00<\/span><\/p>\n

\u00c9difice Belgo, 372, rue Sainte-Catherine Ouest, local 421, Montr\u00e9al (Qu\u00e9bec) H2V 2K8<\/span><\/p>\n

 <\/p>\n

Le deuxi\u00e8me vernissage aura lieu le 27 avril \u00e0 <\/span>L'espace de la bo\u00eete noire<\/b> \u00e0 l'Universit\u00e9 Concordia. <\/span><\/p>\n

 <\/p>\n

Bo\u00eete noire<\/b><\/p>\n

Exposition : du 19 au 28 avril 2019<\/span><\/p>\n

Vernissage : 25 avril 2019, de 17h \u00e0 19h<\/span><\/p>\n

Symposium Art et Science : 27 avril 2019<\/span><\/p>\n

Universit\u00e9 Concordia, EV OS3-845\/855, 1515, rue Sainte-Catherine Ouest, Montr\u00e9al (Qu\u00e9bec) H3G 2W1<\/span><\/p>\n

 <\/p>\n

Les \u0153uvres que vous trouverez ici sont : <\/span><\/p>\n

 <\/p>\n

Agence \u00e9trang\u00e8re <\/i><\/b><\/p>\n

par <\/span><\/i>Naila Kuhlmann et Zahraa Chorghay (\u00e9tudiantes en neurosciences) et Matthew Halpenny et Matthew Saleciak (artistes). <\/span><\/p>\n

Sensenet est une \u0153uvre conceptuelle con\u00e7ue comme une installation immersive, s'appuyant sur les notions d'agentivit\u00e9 \u00e9trang\u00e8re en art (propri\u00e9t\u00e9 par laquelle l'\u0153uvre acquiert une signification propre, ind\u00e9pendante de l'intention de son cr\u00e9ateur) et sur le motif du temps et de la synchronisation dans les circuits neuronaux. En collectant et en manipulant en temps r\u00e9el les donn\u00e9es sensorielles recueillies aupr\u00e8s des participants au sein de l'installation, Sensenet bouleverse la perception individuelle et favorise la synchronisation des sens collectifs, remettant ainsi en question les concepts d'identit\u00e9 et de conscience.<\/span><\/p>\n

 <\/p>\n

\ud83d\udc38 \ud83d\udc53 \ud83e\udde0 <\/b>Visionneuse d'\u0153il de grenouille <\/i><\/b><\/p>\n

par <\/span><\/i>Vanessa Li (\u00e9tudiante en Neurosciences) et Natacha Vieuxeux (Artiste) <\/span><\/p>\n

Une illustration ludique du fonctionnement et de l'\u00e9volution du syst\u00e8me visuel en d\u00e9veloppement d'un t\u00eatard. Dans ce t\u00eatard imaginaire dot\u00e9 d'un unique \u0153il g\u00e9ant, les neurones visuels sont repr\u00e9sent\u00e9s par une arm\u00e9e de grenouilles color\u00e9es.<\/span><\/p>\n

 <\/p>\n

Saillance<\/i><\/b><\/p>\n

par Yuting Zhang (\u00e9tudiante en neurosciences) et Ryan Bruggeman (artiste) <\/span><\/p>\n

 <\/p>\n

Le r\u00e9seau <\/i><\/b><\/p>\n

par <\/span><\/i>Erin McKenzie Wall (\u00e9tudiante en neurosciences), Giuliana Greto et Tania Marquez (artistes)<\/span><\/p>\n

R\u00e9colter l'esprit \u00e0 travers le passage du temps <\/i><\/b><\/p>\n

par <\/span><\/i>Morteza Pishnamazi (\u00e9tudiant en neurosciences) et Tania Marquez (artiste) <\/span><\/p>\n

Starlight Gone <\/i><\/b><\/p>\n

par <\/span><\/i>Liam O'Leary (\u00e9tudiant en neurosciences) et Elizabeth Parent<\/span><\/p>\n

Cas et contr\u00f4le<\/i><\/b><\/p>\n

par <\/span><\/i>Kathryn Vaillancourt (\u00e9tudiante en neurosciences) et Alessandro (Tarek) Ghaleb-Debello (artiste)<\/span><\/p>\n

 <\/p>\n

 <\/p>\n

\"Art<\/a><\/p>","protected":false},"excerpt":{"rendered":"

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